Musika

Our tribute to the alumni and the music world. This is an orginial composition performed by us of course and here are the names of our solo people. Peter Anton Amadeo Aldrin Serquiña Jizelle Jane Ancheta Gale Diones Jovelyn Napila Patrick Jayson Llara Vocals arranged by yours truly.

What Matters Most

"Ayaw ko ng Plastik" is an originial composition for Gensan's Ayaw ko ng plastik advocacy.
Composed and Arranged by Bembem and performed by Miss Eleonor Resuelo a former alto member of the Mindanao State University Chorale. This video was published last summer of this year (2011) and was featured in a local television news (ABS-CBN Gensan).

For Good

"For Good" is a song by Stephen Schwartz from the musical "Wicked" where a person meets another soul that totally makes a big impact in his life and changes him. Arranged for SATB and duet, we do not take credit for this song but we would just like to render in honor of the composer for such a song as this.

I hope you guys will love this arrangement, even though its just a clip.

True Colors

I know I know there's too much noise in the background, but this video is only for pure fun singing.

A memento of how we once gathered and sang this song, we might be looking at this video 10 to 20 years from now and would draw a smile on our faces.

This song is entitled true colors. The solo line was rendered by Miss Jizelle Jane Ancheta and of course the new members sang with the old for the chorus parts.

Adding Reverb

Adding reverb to a recording can do wonders and simply enhance the output of the audio. This video was recorded with a 5.1 sorround channel. 


This was recorded during the semestral break of 2010-2011 when we did a weeklong workshop. This was the last day of the workshop and we were about to have lunch. The title of the song is "Praise God".

Adding Flanger to your Solo

This is the result of the trick I used to enhance the solo parts of a recording

• Duplicate the solo track of your vocals
• Add a flanger effect to the duplicate track
• Make the duplicate track 6 dB lower than the original track
• Adjust the volume difference of these tracks until they would sound decent
• The goal is to give the main track a stereo width expansion and some sort of delay into it
• Make sure that both tracks have the same type of reverb  to make it sound cohesive